go to the Book page to find out more "[Veronica Geng], along with Ian Frazier, W. S. Trow, Mark Singer, Roy Blount Jr. and Donald Barthelme...pioneered the New Yorker as a clubhouse of postmodernism." -- James Wolcott, New Criterion. Long Time Leaving: "Roy
Blount is so funny, and he sounds like he's just talking, and the next
thing you know he has tossed off "Roy
Blount is so foot-tappingly good that the North and the South will fight
to claim him." -- Jacqueline Carey. On
Feet on the Street: Rambles Around New Orleans: "Those looking for a nontraditional portrait of this unconventional city will be delighted by Blount's colorful, almost tender account." -- Publishers Weekly "Blount writes a superb simple declarative sentence. But he'll follow that with a sentence that even a Hall of Fame English teacher, equipped with fresh chalk and a full blackboard, would struggle to diagram. And it won't just hold together, this sentence. It'll be a standing ovation-worthy performance, full of music, irony and felicitous juxtaposition, yet not short shrifting in ideas and information. It'll sound like the Deep South and the Upper West Side, but in good, not illegitimate child or pretentious, ways... America's most diverting writer takes on America's most diverting city." -- The Charlotte Observer. Robert E. Lee: "Robert
E. Lee's hard to deal with'...but in this little gem of a book Blount
has done it about as imaginatively, about as memorably, and about as
well as anyone has done -- southerner or not, and historian or not --
in years." "This
vibrant introduction goes a long way toward softening the image of that
stony icon of the Confederacy, Robert E. Lee. Blount bravely
reckons with the Marble Man, consulting works that draw out Lee's 'feminine
side' to humanize his portrait....Blount's handling of Lee's lonely
childhood is surprisingly moving.... Blount's is the only writing on
Lee this reviewer has encountered that makes one feel real sympathy
for the general--a feeling the author smartly keeps from bleeding over
into affection for any Lost Cause ideology." --Library Journal "This
outstanding volume is the latest entry in the Penguin Lives series,
which allows distinguished authors to select a person about whom they
are curious and then write a short, synthetic account that will inform
the general reader and specialist alike. Blount's graceful narrative
reflects the author's wide reading of and mature reflection on the standard
biographies of Lee. The result is a miniature masterpiece."
--Bookpage. "Witty, lively and wholly fascinating." --New York Times Book Review The Main Stream
"The Weisberg-Blount sojourn provides equal time for the serious, the odd, the crass and the sentimental" --The New York Times "It's
a delight - funny, observant and downright anthropological in its "Blount's great talent, apart from writing, is that he's comfortable chewing the fat with just about anybody - especially folks who might actually call conversing chewing the fat." --Newsday "The two-hour film celebrates American eccentricity and features people and towns whose beliefs and lifestyles fall outside mainstream culture." --The Washington Post "Blount has empathy for everyone, which makes this a joyous journey. Accompanied by picturesque photography and a nice variety of river-related songs he takes us on a delightful trip for all of the 2,552 miles." --The Indianapolis Star "While Blount's journey includes some compelling portraits of middle America, it is his natural attraction to the pockets of weirdness along the way (the backwaters, as he puts it) that become the most bracing moments in the documentary." --The Oregonian
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